drawing

Interior Sketching Series: A Recap of My 1-,2-,3-Point Perspective Demos

Welcome back to the blog!

Over the past few weeks, we've embarked on an exciting journey through the world of interior sketching. Our three-part series covered essential techniques to help you create stunning interior sketches with confidence and ease.

In case you missed any of the sessions, here's a comprehensive recap of what we learned.

Day 1: Understanding 1-Point Perspective

On the first day, we dove into the basics of 1-point perspective with a practical sketching demo focused on a bathroom.

Key Takeaways:

- Vanishing Point: The concept of the vanishing point and how all lines converge towards it.

- Horizon Line: Placing the horizon line correctly to establish the viewer's eye level.

- Drawing a Bathroom: Applying 1-point perspective to sketch a bathroom, emphasizing depth and proportion.

 

Day 2: Mastering 2-Point Perspective

Building on our foundation, day two was dedicated to 2-point perspective with a focus on sketching a dining room.

Key Takeaways:

- Two Vanishing Points: Understanding how to use two vanishing points on the horizon line to draw objects at an angle.

- Drawing a Dining Room: Moving beyond simple shapes to sketch a dining room, capturing its dynamic angles and interior elements.

- Practical Applications: Using 2-point perspective to sketch furniture, room corners, and various interior elements from different viewpoints

 

Day 3: Exploring 3-Point Perspective

Our final session introduced the advanced technique of 3-point perspective with a focus on a wardrobe interior.

Key Takeaways:

- Three Vanishing Points: Adding a third vanishing point, below the horizon line, to create a sense of height and depth.

- Drawing a Wardrobe Interior: Understanding how the addition of the third point distorts the objects, making them appear more three-dimensional.

- Applications: Practical demo of using 3-point perspective to sketch tiny interiors like wardrobes, home offices, etc.

Mastering 3 points allows you to bring a new level of dynamism and drama to your sketches, making them truly stand out.

 

Additional Resources

Materials Used: Sketchbook, Markers and Fineliners

For all days of the series, I used markers and fineliners to create the sketches. These tools are essential for achieving clean lines and vibrant colours in your interior drawings. Here are the Amazon links to the materials I used:

- Markers: I use Sketch&Art Terracotta in the videos, but here is an Amazon set of 60 Colours https://amzn.to/4bu1aLZ

- Sketchbook: I used similar to this one, Hahnemuehle size A5 https://amzn.to/4bt1Elq

- Fineliners: I used Milan Sway fineliner on Day 1 https://amzn.to/3zrs9KZ , for Days 2 and 3 I used a waterproof fineliners from UniPin https://amzn.to/4f9YBBT

 

Instagram Live Stream: Perspective Drawing

Between Day 2 and Day 3, we had an insightful Instagram live stream where we delved deeper into perspective drawing. We discussed tips and tricks, I answered your questions, and provided additional information on my online course BASE. Watch the replay.

 

Live Q&A Session: Final Thoughts and BASE Course Introduction

To wrap up the series, we held a live Q&A session on Instagram where I answered your questions and provided further insights into interior sketching. During this session, I also introduced my online course, BASE, which offers comprehensive lessons, community support, and exclusive content designed to take your interior sketching skills to the next level. Watch the Q&A replay here.

 

Wrapping Up the Three-Part Series

Throughout this series, we've covered the essential perspectives that form the backbone of interior sketching. From the basics of 1-point perspective to the complexity of 3-point perspective, each session built upon the last to enhance your sketching skills.

I hope you found these sessions both informative and inspiring. Sketching interiors is not only a valuable skill for designers but also a rewarding creative outlet. Remember, practice is key! The more you sketch, the more confident and proficient you'll become.

 

What’s Next?

If you enjoyed this series and want to dive deeper, I invite you to join my online course, BASE. It offers structured lessons, and in-depth exclusive content to help you master interior sketching. Learn more about the course here.

Thank you for following along, and I can’t wait to see the incredible sketches you create! Use the hashtag #SorokinaStudents on Instagram and tag me @schoolofsketching so I can see your drawings.

P.S. Enjoyed the article? Please share it with your creative friend, let’s spread the word about interior sketching together.

© Olga Sorokina, 2024

 

"BASE": a Course Which Teaches All the Basic Techniques You Need to Implement Sketching in Your Interior Design Practice

(Perfect if you are a novice in drawing interiors, interior designer, id/architecture student)

 

Read more from my blog:

Blog archive: here

Perspective Drawing Explained: 7 Types of Perspective in Interior Sketching

In this article, I'll introduce you to seven exciting perspective techniques that I employ in my interior drawings. From the fundamentals of 1-point and 2-point perspectives to the fusion of 1+2, "distorted" perspectives, and more, discover how each technique can bring depth and uniqueness to your sketches. Join me on this creative journey to the art of perspective drawing.

In the world of interior sketching, perspective is the key to bringing your designs to life on paper. Whether you're a budding artist or an experienced designer, mastering different perspective techniques is essential. In this article, we'll explore seven intriguing types of perspective that can add depth, dynamism, and uniqueness to your interior sketches.

 

(1) One-Point Perspective (Frontal Perspective):

The fundamental technique for interior sketching, that forms the backbone of interior sketching. Here, we have only one vanishing point on the horizon line, but it forms everything. 

Read also related article on my blog for a more in-depth exploration of 1-point perspective:
“The 9 principles of one-point perspective in interior sketching”

(2) Two-Point Perspective (Oblique View):

Here we can see two vanishing points on the horizon line, adding an extra dimension of dynamism to your drawings compared to the more static nature of 1-point perspective.

Read also related article on my blog:
“The 6 principles of two-point perspective in interior sketching”.

(3) Combined Perspective (1+2):

A fusion of 1-point and 2-point perspectives, with some furniture objects having their own 2-point perspective. In this sketch, you can see a blend of 1-point perspective for the room and 2-point perspective for the objects, in this case, two classic bergere armchairs. What makes this perspective truly captivating is that each chair has its own set of 2 vanishing points. Here, things get intriguing with a total of 5 vanishing points! 

In my online course BASE, I'll guide you step-by-step in drawing this French interior.

(4) "Distorted" Perspective:

Some love it for the dynamism it brings, while others find it challenging. It's a unique fusion of one-point and two-point perspective. I find it really profound as it brings a lot of dynamic to the sketch. With "Distorted" Perspective, the back wall (also referred to as the frontal wall at times) takes on a trapezium shape, in contrast to the rectangular form of the back wall in our 1-point perspective (please take a look at my drawing below). This transformation adds an intriguing element of dynamism to your sketches, making it a captivating technique to explore. 

You can learn how to create this captivating effect in my online course PRO.

(5) "Elevated" Perspective with Two Vanishing Points:

Ideal for small spaces like bathrooms and home offices, this technique can add a new dimension to your designs. 

Join me in THE CLUB and explore how to create interiors with this perspective.

(6) "Elevated" Perspective with Three Vanishing Points:

Take your perspective skills to the next level with three vanishing points, offering even more depth and complexity to your sketches.

Let’s draw this interior together in my online course PRO.

(7) Four-Point Perspective:

Think about it as two sets of 2-point perspective.

You can draw this classic oval bench with me in my online course “FURNITURE“.

 

In my practice, I most often utilise the fundamental 1-point and 2-point perspectives, which form the backbone of interior sketching. Remember, the best way to make good interior sketches by hand is to make a lot of them, quickly and spontaneously, until it becomes natural for you.

To further dive into the art of interior sketching and discover the nuances of these perspective techniques, be sure to check out my 35-minute Instagram live stream where I explore this topic in greater detail: watch here.

 

DEMYSTIFY PERSPECTIVE DRAWING

Perspective drawing might seem complicated or intimidating, but with my Perspective Drawing for Interior Design course, it becomes fun and easy.

My step-by-step approach ensures you'll finally understand perspective, transforming your sketches and boosting your confidence.

Do you want to master perspective drawing for interior design from scratch?

Welcome to my online course

“Perspective Drawing for Interior Design“

 
 

P.S. Hope you enjoyed this article, please share it on your social media so more people can learn about perspective drawing and interior sketching.


© Olga Sorokina, 2023

See my blog archive: click here

3 most common fears novice artists have and how to overcome those struggles

Many beginners in drawing in general and interior sketching in particular have certain fears and concerns related to drawing.

Obviously, everyone has their own fears, but they are basically very similar to each other.

My next blog post is going to be about these problems of beginners in sketching, painting and drawing and how to cope with them.

Have inspiring and useful reading!

GET MY PDF LIST OF MATERIALS FOR SKETCHING,

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Many students write to me that they have never drawn before, so they are afraid to start. Some of them are nervous because they have no art education, while others were drawing 10 years ago and now they think it is too late, that they have forgotten everything, lost their talent, etc. In general, people who are creative by nature are often afraid to start, afraid to go back to drawing, afraid that nothing will work out.

On the other hand, they realize that time flies by without action being taken. It is also common for someone to think that they are not creative at all, but they draw, paint, create and design in their dreams.

What to do with all this and how to get things moving? Let's take it in order.

 

1. “I am afraid to start drawing as I have no art education”

This is the number one fear, based on my students' letters. Actually, this fear is one of the most popular and most paralyzing fears I've come across among beginners. Speaking specifically to it, I have a very strong and powerful argument. Have you ever heard of the fact that most famous artists didn't go to art schools when they were children, and many of them simply failed to enter the Academy of Arts at the first, second or even third attempt, while many who did enter were expelled from the same Academy for being “untalented” or “unsuitable”?

“Most famous artists didn’t go to art schools when they were children, and many of them simply failed to enter the Academy of Arts at the first, second or even third attempt.”
 

Names, surnames? How about these, for example: Salvador Dali, Ivan Kramskoy, Vasily Surikov, Konstantin Savitsky, Pavel Filonov, Mikhail Shemyakin... All these brilliant and genius artists were once expelled from the Art Academies. The list can go on and on, if you look deeply into the biographies of the famous artists.

And do you know the story of Auguste Rodin, for instance? He tried three times, three times (!) to enter the École des Beaux-Arts in Paris, but each time he failed, which made his father furious and shouting that Auguste was completely untalented and would never achieve anything in art.

“Auguste Rodin tried three times to enter the École des Beaux-Arts in Paris, but each time he failed, which made his father furious and shouting that Auguste was completely untalented and would never achieve anything in art.”
 

Do you really think that art school would have made an artist out of you if you had studied there as a child? That's not a fact. The fact is, you're the one who makes the artist out of yourself. That's all. Definitely art school gives you some basic knowledge and skills in using various materials, but it also depends on the teachers: some can inspire a child to create more, while others simply discourage them from drawing. Fortunately, I have been mostly lucky with teachers: at art school (Children's Art School No. 4 “Alexandrino”), at the Art and Aesthetic Lyceum No. 190 on Fontanka, at the Academy (Saint Petersburg Stieglitz State Academy of Art and Design).

To me, the most important thing about art school is that you practice, that you are surrounded by creativity and people who share your interests from an early age, and that is strength. What subjects did we have in art school?

Painting, drawing, sculpture and art history. By the way, at children's art school (I studied at the Children's Art School No. 4 “Alexandrino”), we only drew in watercolor. I remember that I first tried tempera, gouache and acrylic paint in grade 8 of the Art Lyceum No. 190. I did my first oil painting in 2011, after graduating from Stieglitz Academy, and I tried professional markers for the first time in 2012 (it was Copic and Promarker, as I still recall).

“Do you really think that art school would have made an artist out of you if you had studied there as a child? That’s not a fact. The fact is, you’re the one who makes the artist out of yourself. That’s all.”
 

Do you know what talents are revealed without any art schools? What bright personalities and amazing styles they have! You can start revealing yourself at 30 or even 40/50/80! I recall now how at my Lyceum (Art and Aesthetic Lyceum No. 190 on Fontanka Street 22) there was a termly review of drawing and painting and how everyone gathered around one girl's drawings and everyone was impressed by her work for its originality, creativity and strength, and our drawing teacher, who said: “This is what a child who is not spoiled by art school is like”. By the way, she is now a successful graphic artist and book illustrator.

 

2. “I'm afraid it's too late for me to start.”

This is probably the number two fear in terms of frequency. It's a waste of time to think, “Oh, my time is gone, my parents didn't send me to art school as I was a child, now it's too late, I'm already 30/40/70 (insert your own) years old and time is lost, opportunities are lost...”

Of course, it's late, you're not 7 years old enough to enter a children's art school (by the way, I was accepted at 6; as always, I was the youngest everywhere: in art school, school, lyceum, university). Many of today's most famous artists started their careers in their 30s, 40s and later. Take Van Gogh for example, he started at almost 30 and created an incredible number of paintings in less than 10 years, a real legacy to the entire art world. And you're still wondering, "Is it too late to start?"

“It’s never too late to learn, it’s never too late to start drawing.”
 

I'm a little surprised by the comments "You draw so beautifully, I wish I could draw like you" or "I'll never learn to draw like you", and there are always ellipses at the end. I can't really understand people like that, why should they draw like me when they can express their individuality? Sure, copying is useful (especially the old masters) for training your hand and mastering your technique, but you have your own style, which you need to reveal and develop. Perhaps, sometimes you're just too lazy to spend time drawing and fill those minutes and hours when you could have been drawing by falling down the rabbit hole of social media, losing an hour or so there every day. Start drawing instead, you won't miss anything crucial if you don't look at the newsfeed. The key is to devote your time to drawing, you know? Take your time. Regularly.

You should take a sheet of paper and a pencil and immerse yourself in a different state, a state of art and creativity, rather than consuming an endless stream of information. Why draw like any other artist? Why be like him or her? It feels like something out of adolescence when you want to be like a certain actress or singer. Being yourself is the most interesting thing. Anyway, one day you will miss the real you and “come back” to yourself.

“The key is to devote your time to drawing, you know? Take your time. Regularly.”
 

I started drawing before I could talk. Just imagine what it would be like if you drew so much. For as long as I can remember, I have been drawing all the time, drawing when I felt bad or sad, drawing when I felt good or happy, drawing at art school, drawing in chemistry and physics classes, drawing when I was on the road. And there have been times in my life when I haven't touched a pencil or paper for a month or even two or three months (which happened, by the way, only after I graduated from Saint Petersburg Stieglitz State Academy of Art and Design) and I have focused entirely on interior design, on drafting or on 3D MAX. It used to literally get me down, physically and emotionally. However, when I feel really down, I start drawing and things gradually get better, that's the magic.

 

3. “I'm afraid I've forgotten how to draw.”

It is even harder mentally to go back to drawing than to start. The beginner's advantage is that they progress quickly and see their instant growth. But coming back is much more difficult because you used to draw really well, perhaps even went to art school, you were praised, admired and applauded as a talented child, and then, when you come back to drawing after such a "long break" (sometimes several decades), of course, you get enormous self-doubt. Trust me, all artists have a “fear of coming back” to drawing, and I am no exception. And the longer the period of "not drawing", the harder it is.

“And you have that chill all over the skin and a thought flashes through your mind: “Oh, is my talent really lost?!””
 

Here's a vivid example from my life, which I would call "The triumphant comeback after summer to painting classes at the Saint Petersburg Stieglitz State Academy of Art and Design”:

Oh, those summer days, the long summer holidays, two whole months, during which not many of students took up paints and brushes, except for pencil sketches and the occasional “scribble”.

And then, in early autumn, you go to your first painting class, confident, satisfied, full of energy, rested and tanned. They put on a beautiful performance with a model and draperies; you take up the brush to create a masterpiece and in the first minute you realize that the brush is somehow strange to hold and you get scared, scared of the feeling that you have forgotten how to paint. And you have that chill all over the skin and a thought flashes through your mind: “Oh, is my talent really lost over the summer?!” And such a chill runs down your spine and a thought flashes through your head: “Oh, is my talent lost over the summer?!” You start to panic, lose your heart in frustration, and nothing seems to be working out. You can barely draw before the break and as the new class starts, you muster up the courage to ask your groupmates, “Guys, am I the only one who feels like I've lost the painting skills over the summer?” And you hear the relieved exclamations and giggles around you: “Huh, I thought it was just me!”, “Yeah, it's me too!” It makes you feel better immediately, and by the end of the second class the brush is running faster and faster across the sheet, the strokes are becoming more agile and confident; the ‘talent seems to be returning”.

 

What is the lesson here? Well, it is important to go back, it is important to start drawing again, to just start, to take the first step and to do it without criticism, without self-condemnation. Indeed, this is always the hardest part, but afterwards it will immediately get easier and you will be surprised to notice how quickly your rusty wheel of creativity speeds up.

“All artists have a fear of coming back to drawing. And the longer the period of “not drawing”, the harder it is.”
 

My God, there are so many fears and doubts like this:

The fear that ‘it's not time yet”, the fear-excuse “later, later, when we move in / when my daughter passes her exams / when summer comes and I start drawing”, etc. Fear of comparison and judgment from others is also highly popular. There's one answer to all these fears, and it's both simple and complex - just start drawing and never stop at the first failure. Just keep doing it all the time.

It's really dangerous to put creativity “on hold”, to put your interests and yourself on hold because the further and longer you put it off, the weaker your belief in yourself gets, but the stronger your fear becomes and the harder it will be to overcome later.

“There’s one answer to all these fears, and it’s both simple and complex - just start drawing and never stop at the first failure. Just keep doing it all the time.”
 

One last point I want to make in this blog post:

Every aspiring sketcher has his or her strengths. Everyone does. The challenge is to develop them. One has a natural talent for painting in watercolor. How many times have I noticed among my students that even if a person has never painted in watercolor before, when they do their first work in watercolor, it is obvious that they have a good feel for the proportions of water and paint and feel this technique instinctively. In others, I've often noticed an amazing sense of color and coloristics. Perhaps you have a special talent for composition, don't you? And what about your innate sense of proportion? Otherwise, you may be a hidden master of watercolor or markers. 

You will never know until you try! Reveal yourself, explore yourself! If you're afraid that you don't have any of that and still suffer from not having an academic education, try to look at your situation from a new perspective: you are not "spoiled" by art school or any other educational system, you are an individual, you are a natural genius. Not having an academic education can also be a strength, depending on how you look at it.

I just recalled the words of my favorite Dali: 

“Even at an early age, I acquired the vicious habit of thinking of myself as different from everyone else and behaving differently from other mortals. It turned out to be a gold mine!”
— Salvador Dali
 

Creativity shows your identity, your uniqueness. No one will ever draw like you. It's definitely good to copy the masters, to know the techniques, to be surrounded by other creative individuals - that's what classical art education is all about, and that's its strength. The most important thing is not to think about what you've missed or what opportunities you've lost in your life at the moment, but to focus on all the wonderful things you have to discover and learn! Especially nowadays it's so easy to do and you are well aware of it: how many courses both offline and online exist, how many master classes, drawing challenges and contests are held! Get involved in all this! Immerse yourself in creativity.

By the way, join my Free Perspective Drawing Challenge: here

“Every aspiring sketcher has his or her strengths. Everyone does. The challenge is to reveal them.”
 

It’s important for you to discover your uniqueness, to be who you are by nature, to develop the things that are in you and above all you need to stop focusing on this thought that keeps replaying in your head: “Why didn't I start studying earlier? Why didn't my parents enroll me in an art school? Why did I decide to enter the wrong university? Why? Why? Why?” Just change your mind and allow for another thought: "Maybe it's all for the best? Is it even better for me?" And once you have that idea and mindset, attend courses, read art books, join marathons and master classes. Certainly, you don't want to find yourself at the end of your life as someone who has buried their talents in the ground and never used them.

What fears do you have about drawing? What do you think about this post, was it relevant to you, what ideas and thoughts have you come up with? Please share in the comments below, it will be useful to all of us.

 

P.S. If you liked and found this blog post useful, please share it with your friends on Instagram or Facebook. Thanks a lot!

 

© Olga Sorokina

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8 ideas to sketch more often and make your 2023 even more creative

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Happy New Year, my dear Creatives!

I know a lot of you wrote your goals and aspirations for the New Year.

But have you set your goals in Sketching?

As for me, I plan to upgrade my skills in watercolour portraits and oil painting.

 

Here are a couple of sketch ideas to enrich your (and mine!) 2023:

  1. Get yourself a new tiny sketchbook (appx the size of your hand) and make a new habit to take it wherever you go (with a pencil of cause!). You never know when inspiration will find you

  2. Take your sketchbook and draw from a cafe

  3. Draw from a new place for you and optionally experiment with your technique (for me it was drawing from a beach today)

  4. Join any free sketching challenge or set it up yourself (Wanna try "sketch a day" for 30 days?) Here for instance you can draw your life for 5 min a day: be that a cup of tea, a car, your hand, or anything that surrounds you

  5. Read a book on sketching/drawing (here is my blog article on top 5 books on perspective drawing)

  6. Go to a class on drawing from a live model

  7. Go en pleinair

  8. Take a course on sketching

 

I talk more about introducing more creativity and sketching into your daily life in my latest Instagram live stream: link

P.S. If you enjoyed this article, please share it, that would mean the world to me.


© Olga Sorokina

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